Spagna

Monuments, tradition, and daily life

Carlo Orsi offers a rich and multifaceted portrait of Spain at the end of the 1950s. His photographs capture both the grandeur of its historical monuments (such as the Cathedral of Ávila) and the endurance of centuries-old traditions (like a bullfighter training in Madrid’s Plaza de Toros), as well as scenes from everyday life—children playing on the sidewalks of Seville and fishermen returning from sea in Sanlúcar de Barrameda.

A period of transition

In the late 1950s, Francoist Spain entered a period of transition. After a long period of international isolation and a severe economic crisis caused by the regime’s autarchic policy, tentative steps toward openness began to emerge. A turning point came in 1953 with the signing of agreements with the United States, which brought foreign investment and economic aid. This alliance marked the beginning of Spain’s gradual reintegration into the international geopolitical landscape. Economically, the autarchic system had clearly showed its limits: inflation, unemployment, and widespread poverty forced the regime to reconsider its policies. This led to the first reforms that would culminate in the 1959 Stabilization Plan and the shift toward a market economy. Culturally, despite ongoing censorship, signs of renewal began to appear, particularly in the visual arts and cinema, foreshadowing the more dynamic cultural developments of the following decade.

001-009-18
1958
Palace of Viceray Blasco Nuñez Vela, Avila (Spain)

Spagna


Monuments, tradition, and daily life

Carlo Orsi offers a rich and multifaceted portrait of Spain at the end of the 1950s. His photographs capture both the grandeur of its historical monuments (such as the Cathedral of Ávila) and the endurance of centuries-old traditions (like a bullfighter training in Madrid’s Plaza de Toros), as well as scenes from everyday life—children playing on the sidewalks of Seville and fishermen returning from sea in Sanlúcar de Barrameda.

A period of transition

In the late 1950s, Francoist Spain entered a period of transition. After a long period of international isolation and a severe economic crisis caused by the regime’s autarchic policy, tentative steps toward openness began to emerge. A turning point came in 1953 with the signing of agreements with the United States, which brought foreign investment and economic aid. This alliance marked the beginning of Spain’s gradual reintegration into the international geopolitical landscape. Economically, the autarchic system had clearly showed its limits: inflation, unemployment, and widespread poverty forced the regime to reconsider its policies. This led to the first reforms that would culminate in the 1959 Stabilization Plan and the shift toward a market economy. Culturally, despite ongoing censorship, signs of renewal began to appear, particularly in the visual arts and cinema, foreshadowing the more dynamic cultural developments of the following decade.

001-038-08
Romanies in the Sacromonte district, 1958
Granada (Spain)
001-034-03
Una prova facile, 1958
Plaza de Toros de Las Ventas, Madrid (Spain)
001-010-17
Kids at the ice cream stall, 1958
Avila (Spain)
001-024-08
Kids playing on the sidewalk, 1958
Seville (Spain)
P03-029-12
Museo Guggenheim, 2000
Bilbao (Spain)
001-003-02
Una buona pesca, 1958
San Lucar de Barrameida, Andalusia (Spain)
001-010-14
1958
Madrid (Spain)
001-012-08
Real Madrid, 1958
Madrid (Spain)
001-013-01
1958
Mesón del Segoviano, Madrid (Spain)
001-015-10
1958
Bar Cicote, Madrid (Spain)
001-023-09
1958
Avila Cathedral, Avila (Spain)
001-024-08
Juan Antonio Bardem, 1958
(Spain)
001-017-06
1958
Los Cuatro Postes, Avila (Spain)
001-012-37
1958
Madrid (Spain)
001-011-01
1958
Cibele Fountain, Madrid (Spain)
001-039-01
Flamenco domestico, 1958
Granada (Spain)
001-009-14
1958
Palace of Viceroy Blasco Nuñez Vela, Avila (Spain)
001-009-05
1958
(Spain)
001-004-05
1958
(Spain)
001-004-02
1958
(Spain)